References: Leïla Slimani with Look How We Dance – Culture


Her characters are endearing and complex witnesses to this cosmopolitan and repressive Morocco. They are trying to adapt to a country that is torn between the thirst for emancipation, the rigidity of royal power and a society full of revolution. So Amine and Mathilde reluctantly adopted all the bourgeois clichés of a man cheating on his wife while she consoles herself with material comfort.

Their social progress also affects the progress of their children. Aïcha and her brother Selim, who together with the hippies discover sexual freedom and artificial paradises, symbolize this emancipating Moroccan generation, thirsty for freedom and change.

The final volume of her trilogy

Again, Slimani skillfully weaves a small story with a big one. The author does not fall into black and white painting. She moves from one character to the next with remarkable ease, portraying their contradictions and aspirations with the necessary sophistication and detachment, all the way back to Lisbon.

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